Ending 2017 by Looking Back at the Crooms and Mahmoud Murals

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Most of the talk of Connell Crooms, standing 150 feet tall on one cement silo, and Sara Mahmoud, standing back to back with him on the silo adjoining, concerns unity and solidarity, but Connell mentions the “power of irony.”

Van Helten turned these concrete ciphers into pillars of unity and community. The mural festival that brought him to town, ArtRepublic, alienated and angered much of the city’s art community, but Van Helten successfully soaked up the city and gave it back.

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