Tag Archives: Ladies’ Friday Musicale

Where the Jacksonville Woman’s Club Stood

Posted on October 23, 2018 | Leave a comment

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It’s not a “demolition,” they say. It’s a “salvage.” Either way, the Jacksonville Woman’s Club building is gone. Causes seen as primarily “women’s” have encountered the same contradictory status of being both exalted and discounted that women themselves have historically experienced. The “Woman’s Club

Movement” owns an important place in the history of feminism, leading even to #metoo. The headline declaimed, “Quadruple Amputee to Get Degree and Bride this Week.” Mellen Greeley, the architect who built the Woman’s Club building, “said the secret to living a long life was being a peaceful person.” My daugthers will always identify by their own names. They’ll never be Mrs. Somebody-Else.

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Tagged 1816 Avondale Circle, 1901-1919: A New South City, Abigail Adams, Ada Cummer, Arthur Cummer, Benvenuto, Clara White Mission, Cummer Museum of Art and Gardens, Dorothy Mortensen, Eartha White, George Hallam, Great Fire of 1901, Grover Cleveland, Hope McMath, J.C. Greeley, Jacksonville after the Fire, Jacksonville Junior College, Jacksonville Woman's Club, James Crooks, Jim Crooks, Jim Draper, Jimmy Wilson, John Adams, Jonathan C. Greeley, Jonathan Greeley, Kent Campus, Ladies' Friday Musicale, Lori Ann Whittington, Mellen C. Greeley, Mellen Clark Greeley, Mellen Greeley, Ninah Cummer, quadruple amputee, Riverside Avondale Preservation, Riverside Remembered, Robert Meyer Hotel, Sub-Tropical Exposition, Thomas Jefferson, Tudor Revival, Tudor Room, Waldo Cummer, Wayne Wood, Wellington Cummer, wister