Tag Archives: Tim Gilmore

Lovett’s / Winn & Lovett / Winn-Dixie & my Grandfather

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“When I was a little girl,” my mother wrote, “before we had money, my father liked to tease me and loved to laugh.”

Architectural critics who saw the voluptuous curves of Art Deco as “effete” credited Art Moderne with streamlined manliness.

He gave her “strict instructions to be patient and not to wiggle at the window, or the birds wouldn’t come. So I followed his instructions and stood by the window, looking out, watching him, and I was very still.”

Riverside Park’s Camellia Grove, Keats, Basho, and People Being More Like Plants

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The camellia garden suffered terribly in the tornado of December, 1997. The oldest camellias are 50 years old. They might have a century left.

What happens in the grove is an inverse mimesis–it determines the city outside it.

Baymeadows: The GMAC Mass Shooting

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WARNING: This story contains graphic content that some readers will find too disturbing.

I wonder if the electricians know they’re working at the site of the worst mass killing in Florida before the 2016 Pulse Nightclub Shooting in Orlando.

“You’re not going to die,” Phillips had told Janice David repeatedly. She kept saying she didn’t know what her two sons would do without her.

Tale of Two Cities: Pick Your Poison, Vote Your Conscience, Choose Your Own Adventure

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1. Which house on McCormick Woods Court stands atop Rain Cemetery? And how does History’s Witch answer Walter Benjamin’s Angel of History?

and / or:

2. What did the Tinsleys mean when they said Catherine Tourist Court “cater[ed] to the better class only”? And what’s happened to CTC in Klan Kountry since?

The Balis House / the Herbert Swisher House

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Herbert Swisher was a “trust fund baby.” His grandfather built him a house. Sheffield and Abla Balis left the Franco-Syrian War in the Middle East and made Herbert’s house their home. When Sheffield died, Abla built him a tower.

Old Philips, w/o Boundaries, Beheadings, the Last Hall-and-Parlor

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Someone stole their heads. Their bodies had been burnt. Police found two axes in the scorched desolation of the shack. Just before Christmas. 1913.

Most of the residents of Philips were the children or grandchildren of former slaves, or were former slaves themselves. Sunken ground in the slope and swale of Philips Cemetery at Craig Swamp might mark older unrecorded graves.

Her husband lived to be 97. She was born in the house in 1922. Surely he’d heard the story when he was young.

The Trials and Tribulations of Mount Vernon Motor Lodge

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Click below for the full story. Why did police Taser the naked man in the middle of Philips Highway? What would George Washington think of a motel modeled after his plantation house? And where did that peace dove fly off to?

San Marco’s Swisher House (John H.) and Villa Alexandria

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All big houses harbor the loneliness of unpeopled space. When Heather was a little girl, she didn’t understand the elevator went up and down. She thought it somehow “swapped the rooms around.”

Christina says, “I don’t think Mrs. Mitchell liked that they tore her house down.”

Carl Swisher always carried jokes in his pocket. Workers rolled 600 to 700 cigars a day.

Fire Department Drill Tower

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The fire maze. Rappelling from the fifth floor. Scaling the 70 foot tall building with a hook ladder. The mysterious stranger drivers see standing atop the tower late at night.

Randy speaks of the fire department with love and pride. His eyes beam. When he shakes my hand, he calls me “Brother.” He can name each fire station by number and location. He has stories about Major, the Dalmatian who once lived at station no. 9, at West 24th and Perry Streets.

Ending 2017 by Looking Back at the Crooms and Mahmoud Murals

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Most of the talk of Connell Crooms, standing 150 feet tall on one cement silo, and Sara Mahmoud, standing back to back with him on the silo adjoining, concerns unity and solidarity, but Connell mentions the “power of irony.”

Van Helten turned these concrete ciphers into pillars of unity and community. The mural festival that brought him to town, ArtRepublic, alienated and angered much of the city’s art community, but Van Helten successfully soaked up the city and gave it back.